It is a strange and trying time for all of us in the midst of the COVID-19 pandemic. We certainly understand times are tough for you, as they are for us. We have been proud to bring JAZZed for free all these many years and we will continue to provide you with complimentary subscriptions during the pandemic. However, we would like your consideration in these difficult times to help support our efforts here at JAZZed to keep our information flowing and to provide you with a continuous stream of current and vital information when you need it the most.
It is with the utmost sincerity that we ask you to consider supporting our efforts here with a small donation which will allow our staff the ability to keep these interesting stories about your chosen career coming to you in a consistent and timely basis. Your consideration is greatly appreciated. We at JAZZed wish nothing but the best for you, your school, your family, and co-workers. We hope you continue to remain healthy during this most strenuous of times.
All of the diatonic modes (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian) have distinguishing characteristics. Some have one especially distinctive tone. In order to best capture the unique sound of a particular mode in a musical composition, the mode’s fundamental tone (first note of the mode) and characteristically distinctive scale step should be emphasized. For […]
Read More…Learning jazz repertoire takes time, and it can be very helpful to have a way to organize what you’ve learned so you can better remember it. This is a method of documenting critical song information for reference in the practice room, or as an aid in rehearsals and performances. There are five components to document. […]
Read More…In the last issue of JAZZed, I discussed techniques of melodic development in jazz improvisation for the benefit of the aspiring jazz musician. These included repetition and sequence, plus repetition and sequence in altered forms such as rhythmic diminution, intervallic diminution, rhythmic augmentation, intervallic augmentation, fragmentation, complete melodic alteration, rhythmic shift, retrograde, melodic inversion, retrograde […]
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